Renzo Filinich is a media artist and researcher based at the Origins Centre, University of the Witwatersrand, working at the intersections of art, technology, and philosophy. His research investigates the relationships between sound, digital media, and human perception, with a particular emphasis on cosmotechnics and post-anthropocentric thought from a Latin American perspective. He has collaborated on interdisciplinary projects such as Quantum Echoes of Humanity, which employs artificial intelligence and anthropological data to reimagine the Anthropocene from the Global South. Filinich’s artistic and scholarly work engages with simulation, machinic agency, and the technological individuation of media. He has exhibited and presented internationally and contributes to advancing interdisciplinary dialogues between media arts, digital aesthetics, and scientific research.

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